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Barbarian Press
Books in Print


Wood engraving by Colin Paynton
(from The Chimes, 1985)

Ursus typographicus:
a Chronology of Bears

December 2017

Musick in partes
Songs & Poems from the Plays of William Shakespeare
August 2017

Fancy:
8 Odes of John Keats

with fifteen wood engravings by Andy English.
2015

Endgrain Editions 4
Simon Brett – An Engraver’s Progress

2013/2014

Cover scan

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for additional images

Fancy: 8 Odes of John Keats

with fifteen wood engravings by Andy English

Autumn 2015

Of all the English Romantic poets, it is probably Keats who comes first to mind when readers think of the period. He is, with John Clare, the most directly sensual and the least complex of the Romantics, and while much of our understanding of Romantic spirit and thought comes from the writings of the first generation of Romantic poets, particularly Wordsworth and Coleridge, it is Keats’ poems which embody for most readers the essential spirit of the period. He has neither Byron’s acerbity and satirical edge nor Shelley’s political and social pleading. His poetic landscape, unlike Wordsworth’s English countryside, is more a neo-classical ideal, with a whiff of Poussin. His ambit is not the spirit itself, but the senses, and the spiritual resonance the senses draw from nature and art.

The greatness of Keats’ poetry was not recognized in his own lifetime, and when he died, he believed himself to have been a failure. It was largely through the championship of friends, especially Shelley, that his work was kept in the public eye. Here is Shelley in Adonais, his great elegy for Keats:

He is made one with Nature: there is heard
His voice in all her music, from the moan
Of thunder, to the song of night’s sweet bird . . .

Later, Tennyson, Swinburne, Arnold, and Rossetti held him up to their own generations, and by the mid-Victorian period, forty years after his death, Keats was considered one of the greatest poets in the language.

His first great poem, the sonnet On First Looking into Chapman’s Homer was published when he was just 21, but most of Keats’ finest poems, the poems on which his reputation is based, were composed in a single year. In 1818 Endymion, a poem which had caused Keats great trouble, and with which he was himself unsatisfied, was published to savagely negative reviews. But within the following year, in 1819, he composed virtually all his best-known and loved poems: The Eve of St. Agnes, La Belle Dame sans Merci, Lamia, most of Hyperion, The Fall of Hyperion and the ‘Great Odes’ – Ode to Psyche, Ode on Melancholy, Ode to a Grecian Urn, Ode to a Nightingale, and To Autumn, which together are recognized as empirical examples of the genre. In February, 1821, he was dead of consumption. He was 25 years old.

Fancy: 8 Odes of John Keats contains all five of the ‘Great Odes,’ with the addition of three others: Ode: Bards of Passion and of Mirth, which was written on the blank leaf before The Fair Maid of the Mill in Keats’ edition of Beaumont and Fletcher’s plays; Ode on Indolence, an early piece in the strophic forms of the five great odes; and Fancy, from which this book takes its title. Fancy and Bards of Passion differ from the other six in the collection in being written in tetrameters and in a modified rondeau form, the first lines returning at the end to close the poems.

Our edition of these eight poems is designed in the same format as our 2003 edition of The Eve of St. Agnes, and like Eve is also illustrated by Andy English. Andy has provided fifteen engravings for Fancy – six half-page illustrations, eight ‘spots’ for the half-titles, and a full-page frontispiece. The poems are set in Poliphilus, and each begins with a different second colour for the opening line, which is set in Poliphilus Titling. The Standard edition is bound in quarter green cloth with a decorated paper created from printer’s flowers for the boards. Unlike The Eve of St. Agnes, Fancy is published in two states. The Deluxe edition is bound in quarter orange morocco with the same boards, and presented in a slipcase with a portfolio containing proofs of the engravings signed and numbered by Andy English.

For an review of Fancy, and reviews and photographs of some of our other books, please visit Chris Adamson’s excellent website Books and Vines, at http://booksandvines.com/

Some Comments By Readers

Your parcel and therefore my book arrived this morning in the condition you sent it. ... I think the word is Masterly. Great printing, great engravings and compliments to your binder.
Mike Tregear, Endgrain subscriber

I received the new publication Fancy: 8 Odes of John Keats last week and (predictably) it is delightful. Chris Adamson’s recent Books & Vines article pretty much sums it all up but it is a beautifully designed book, perfectly in keeping with a book of Keats’ odes and early nineteenth century
Jack Katz M.D., Subscriber

What greater way to enjoy works of such importance than through an edition published by Crispin and Jan Elsted? [Fancy: 8 Odes of John Keats] is designed in the same format as the 2003 Barbarian Press edition of The Eve of St. Agnes . . . and like Eve is also illustrated by the English master wood engraver Andy English. . . . Mr. English provides just the right scale and depth of imagery to complement and enhance the words of Keats without distracting from the emotional flow of the poems. The design and execution of the press work is marvelous. . . . Each poem starts with a colorful larger splash of wording, reminding me of Barbarian’s Pericles. I find the use of color and text sizing a masterful way of exciting one’s mental state in preparation of the words to follow.
Chris Adamson, review on Books & Vines

Fancy: 8 Odes by John Keats is published in an edition of 140 copies, of which 90 constitute the Regular state, and 40, the Deluxe, with 10 copies hors commerce.

DELUXE STATE: 40 COPIES. Text printed in Poliphilus and Blado with Poliphilus Titling for display, in various colours with black on Zerkall Book mouldmade paper, with sixteen engravings by Andy English printed from the wood. Bound in quarter orange morocco with decorated paper, numbered I – XL, and slipcased with a portfolio of proofs of the fifteen text engravings signed and numbered by Andy English.
PRICE: C$625     OUT OF PRINT

REGULAR STATE: 90 COPIES. As the Deluxe state, but bound in quarter green silk with decorated paper, numbered 1 – 90, and not slipcased.
PRICE: C$430

5 additional copies of each state, designated hors commerce, are reserved for the use of the press. Both states are bound by Alanna Simenson at Mad Hatter Bookbinding, Sooke, B.C.

Visit our Ordering page to order this title.